JESSICA MORAN

Title Reports, Script and Production Clearances

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Are you a TV or Film producer navigating the complex world of clearances? I'm here to simplify the process.

Film and TV Clearances, founded by Jessica Moran, is a leading UK company specialising in title reports, script clearance reports and production clearances.

What services do you offer?

From an initial title report and script clearance report (neg check), to production clearances and post production reviews of cuts, I have the knowledge to negotiate clearance terms and licence agreements with IP owners.

Title reports (NEW): Essential clearance for E&O insurance. Comprehensive multi-jurisdictional searches and risk analysis to ensure your film or TV title is clear for distribution.

Script clearance reports: A thorough analysis of your project to identify potential legal challenges and ensure all necessary rights are secured.

Obtaining & negotiating clearances: Efficient management of permissions and licences, ensuring a smooth production process.

Provision of licences and releases: Navigating the intricacies of copyrights, trademarks, and other legal considerations to protect your creative assets.

Why work with me?

With both legal and practical production experience, I bring a deep understanding of rights and clearance challenges and the importance of commercial terms along with a knowledge of the practicalities of physical production.

I have worked with major studios and production companies, across a wide slate of film and television productions, including BBC, BFI, Film4, Left Bank Pictures, Playground, Netflix and SISTER; and I understand that the position with clearances can differ depending on the platform.

Tailored solutions: Each project is unique, and I customise my services to fit your specific needs and budget.

Efficiency: Timely and precise handling of all legal aspects and a wide bible of contacts with brands and publishers to facilitate fast responses, allowing you to focus on your creative vision without unnecessary delays.

Risk mitigation: Proactive identification and resolution of potential legal hurdles, minimising the risk of complications down the road.

Interested in working together?

"Working with Jessica was a game-changer for our production. Her meticulous approach to rights assessment and clearances coordination ensured a hassle-free journey. Her expertise is unmatched, and I can't imagine doing it without her."
"I had the pleasure of collaborating with Jessica on our latest TV project, and the experience was outstanding. Her negotiation skills and dedication to securing the best terms for our rights were instrumental in the success of our production. Highly recommended!"
"From start to finish, Jessica provided invaluable intellectual property expertise, identifying potential pitfalls and offering strategic solutions. Her commitment to our project's success was evident at every step."
"I have worked with Jess on three films, which I think speaks for itself. She has expert knowledge and is a pleasure to work with."

Lee Groombridge, Producer
"Highly recommended for any production, large or small. Jessica brings a level of expertise and calmness to the clearance process that is deeply appreciated by the whole team."
"Jessica is a pleasure to work with—reliable, attentive, and incredibly flexible. She adapts to our workflow instantly and feels like a natural extension of our production office."
"Jessica’s 'bible of contacts' with brands and publishers is a game-changer. She gets answers and licenses faster than anyone else I’ve worked with in twenty years of producing."
“I have worked with Jessica for three Features now and I would always recommend her. We established easy communication straight away and she has always been reliable, attentive to details and flexible to adapt to each project and workflow. The three projects were quite different from one another: a period independent drama, a low-budget horror and a studio sci-fi drama. She could easily connect with each of them and efficiently liaise with each department despite the different partnerships. She is thoughtful and precise. A trustworthy member of the production team.”
"Having worked with Jessica across multiple genres—from low-budget indies to complex studio sci-fi—I can say her attention to detail is consistent and flawless. She is a permanent fixture on my crew list."
"It’s rare to find someone who understands both the legal requirements and the creative vision. Jessica worked seamlessly with our Art Department, finding solutions that kept the set looking authentic without compromising on legal safety."
"Jessica doesn't just say 'no' to a clearance; she offers strategic alternatives. She’s a true partner to the creative team, helping us maintain our visual style while staying fully protected."
"Jessica is incredibly responsive. We needed a rush clearance for a key brand during a night shoot, and she handled it with professional precision and speed."
"In the fast-paced world of TV production, speed is everything. Jessica's turnaround times on script reports and title searches are second to none—she never missed a beat, even with our last-minute schedule changes."
"Navigating the legalities of clearances can be a minefield, but Jessica makes it look easy. She caught potential issues we hadn't even considered, saving us from massive headaches down the line."
"The peace of mind Jessica provides is invaluable. Knowing our script and title were fully cleared for E&O insurance meant one less thing to worry about during a high-stakes production."

Close-up of a woman with blonde hair, wearing large gold hoop earrings, with a serious expression, promoting the final season of 'The Crown' on Netflix.

Poster for Sundance TV series 'The Split', season 3, featuring a woman and a man looking serious, with a reflection of the woman visible in a glass panel.

Poster for the film 'Medusa Deluxe' featuring a woman with styled curly hair, bold earrings, and an orange background. Quotes praising the film are at the top.

Official poster for the Kevin Allen film 'La Cha Cha', starring Ruby Ashbourne Serkis and Rhys Ifans. Film and TV Clearances provided comprehensive script clearance report services for this Welsh comedy production.

Poster for the film 'Golda' featuring Helen Mirren in the center, flanked by two men at desks, with quotes and film details.

A woman sitting on a bench with an umbrella in a rainy, neon-lit urban setting. The poster for the movie "Bus Girl" is in the background.

A promotional poster for the movie 'Consecration' shows six figures in white robes with hoods, lying on the floor in an irregular pattern on a tiled floor. The figures have their arms outstretched. In the center, there's a large red question mark wit

A person in a suit facing multiple computer screens displaying serious faces and digital graphics, with the title "The Undeclared War" at the bottom.

Two women with long hair looking in opposite directions against a pink and blue sunset sky, with text referencing the film 'Silver Haze' and credits for director Sacha Polak, actors Vicky Knight and Esmé Creed-Miles.

A man in a vintage pinstripe suit and bowler hat checks his watch on a city street, with a large building and pedestrians nearby.

Movie poster for "A Pack of Lies" featuring three characters, a woman in a bright pink cape in the center, a man in a red shirt to her left, and a woman in a blue shirt to her right, surrounded by greenery and moss with pink text at the top.

Dark silhouette of a woman with wolf features, wet hair, and animal ears, set against a background split into blue and red lighting, with a quote 'Blood and gore will always sell' and the title 'Wolf Manor' in bold red letters.

Poster for the documentary "Documentary Now!" featuring black-and-white photos of two women, along with smaller images of a man in black face, and two women, and text indicating air date and creators.

A promotional poster for the Netflix film 'The Kitchen' showing two men standing on a rooftop with a city skyline and helicopters in the background. One man is young, with short curly hair, and the other man is older, bald, and holds a hat. The poste

Official poster for the short film 'Sandwich Man', directed by Jessica Henwick. Film and TV Clearances provided the script clearance report for this British short film production.

A woman with curly black hair floating in water with her eyes closed, and the word "BARD" in large white graffiti-style text above her.

Poster for the film "Inside" featuring a young boy in a black shirt standing in front of a fence, with two large, semi-transparent faces of adults in the background. The top of the poster includes quotes and stars, and the title "INSIDE" appears at t

Poster advertising the short film "Clout" directed by Jordan Murphy Doidge, featuring a boy in a school uniform with glasses, standing in a bathroom, with logos for family lives, INTO FILM, THE MIX, ARTS EMERGENCY, and Pimlico at the bottom.

Promotional poster for the animated movie "Bollywoof" featuring three talking dogs dressed in colorful costumes, with vibrant background scenery and a playful atmosphere.

Stephen Graham and Andrea Riseborough in the Jan Komasa thriller 'Heel'. Film and TV Clearances provided the script clearance report for this Recorded Picture Company and Skopia Film production.

Colin Morgan in 'Once Upon a Time in a Cinema', the opening night film for DIFF 2026. Film and TV Clearances provided full production and post-production clearance services for this Wide Eye Films production.

A promotional poster for the film "Blue Season" featuring a police officer with a blue tinted face, wearing a police cap. The background has a shattered glass effect, with white X's over the officer's eyes. The film title is at the bottom in large wh

Book cover for "Last Gasp" by David Suchet, depicting a man with glasses with a large explosion coming out of his head above an oil rig.

Characters from the Terry Pratchett animated film 'The Amazing Maurice'. Film and TV Clearances provided specialised Neg-Checking services to ensure legal safety for this global release.

Official still from the film 'Lady', directed by Olive Nwosu and premiered at Sundance 2026. Film and TV Clearances provided post-production clearance and a full review of the cut for this Ossian International production.

Silhouettes of a man and a woman running towards a swirling, red-and-white spiral eye, with the title 'Past Life' and credits for a film by Simeon Halligan.

Official still from the Richard Hawkins film 'Think of England', featuring Natalie Quarry and Jack Bandeira. Film and TV Clearances provided the script clearance report for this Giant Films production.

A black and white poster featuring two men with the title "MAGID/ZAFAR" in green, with additional text in Arabic and English.

Official poster for 'Wasteman', featuring Tom Blyth and David Jonsson. Film and TV Clearances provided script clearance report services for this Agile Films production.

Close-up of a man's face and upper chest with water droplets, wearing a silver necklace with a ring pendant, on the cover of a book titled 'Pillion' by Alexander Skarsgård, directed by Harry Lighton, with a quote from IndieWire.

Movie poster for 'I Swear' featuring a man in a blue jacket standing with one hand on his chin, set against a blue background with text overlay.

Title Reports, Script and Production Clearances

﹀

What services do you offer?

Why work with me?

Interested in working together?

"Working with Jessica was a game-changer for our production. Her meticulous approach to rights assessment and clearances coordination ensured a hassle-free journey. Her expertise is unmatched, and I can't imagine doing it without her."

"I had the pleasure of collaborating with Jessica on our latest TV project, and the experience was outstanding. Her negotiation skills and dedication to securing the best terms for our rights were instrumental in the success of our production. Highly recommended!"

"From start to finish, Jessica provided invaluable intellectual property expertise, identifying potential pitfalls and offering strategic solutions. Her commitment to our project's success was evident at every step."

"I have worked with Jess on three films, which I think speaks for itself. She has expert knowledge and is a pleasure to work with."

"Highly recommended for any production, large or small. Jessica brings a level of expertise and calmness to the clearance process that is deeply appreciated by the whole team."

"Jessica is a pleasure to work with—reliable, attentive, and incredibly flexible. She adapts to our workflow instantly and feels like a natural extension of our production office."

"Jessica’s 'bible of contacts' with brands and publishers is a game-changer. She gets answers and licenses faster than anyone else I’ve worked with in twenty years of producing."

"Having worked with Jessica across multiple genres—from low-budget indies to complex studio sci-fi—I can say her attention to detail is consistent and flawless. She is a permanent fixture on my crew list."

"It’s rare to find someone who understands both the legal requirements and the creative vision. Jessica worked seamlessly with our Art Department, finding solutions that kept the set looking authentic without compromising on legal safety."

"Jessica doesn't just say 'no' to a clearance; she offers strategic alternatives. She’s a true partner to the creative team, helping us maintain our visual style while staying fully protected."

"Jessica is incredibly responsive. We needed a rush clearance for a key brand during a night shoot, and she handled it with professional precision and speed."

"In the fast-paced world of TV production, speed is everything. Jessica's turnaround times on script reports and title searches are second to none—she never missed a beat, even with our last-minute schedule changes."

"Navigating the legalities of clearances can be a minefield, but Jessica makes it look easy. She caught potential issues we hadn't even considered, saving us from massive headaches down the line."

"The peace of mind Jessica provides is invaluable. Knowing our script and title were fully cleared for E&O insurance meant one less thing to worry about during a high-stakes production."